Among the Waves (1898)

Ivan Aivazovsky

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vimeo:

OSCILLATE by Daniel Sierra

going back to bed, thanks V

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thenewinquiry:

Global Risks 2013 explores catastrophes that are too big and unknown to hedge, even if many of them are already coming to pass. Its portfolio is fifty risk factors thick, with water shortages, liquidity crises and orbital debris, each precisely weighted by likelihood and potential impact and charted like commodities. Backlash against globalization is up. Extreme weather is up. Nothing is down. It’s never been clear exactly whose nightmares these risks are, and the lack of attribution is part of the point. They are supposed to rise up out of the data, objective and urgent, the voice of the planet demanding to be heard.

The data visualizations in Global Risks 2013, network charts and scatter plots of drifting risk points, look like graphic notation from the avant-garde wing of jazz. Simultaneously abstracting and reconstituting survey data into swarms of color, the graphics go for impact over legibility, sketching impressions of an intricate score that, if played as music, would carry a clear, smooth, rising melody.

-“The Slopes of Davos” by T. Paul Cox

Summer water is what I want

Mora Reil

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septagonstudios:

Zach Terrell

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And the end of all our exploring
will be to arrive where we started

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